So since I gave the green speakers to my brother, I’ve really been missing the sonic sweetness of their tweeter, the ScanSpeak D2606. It’s part of their discovery series line, which aims to set some aggressively low price points for ScanSpeak drivers which are typically audiophile-expensive. Pretty big deal to me then, that I’ve decided to construct a new set of speakers using the same tweet, paired with a 5.25″ Midwoofer also from the ScanSpeak discovery series. It’ll be a small-sized bookshelf with an f3 of around 80Hz. Not impressive in terms of bass extension but these will be paired with a powered sub eventually and 90Hz or so is a good range for the low end to be taken over by a fat power amp. More details on this project as I progress. This post is the genesis…
Posts Tagged ‘niche hobbies’
I made this video so I may as well post it here… it’s a video tutorial on using the Propellerhead Rack Extension “Synchronous” in Reason 7.1 to make glitch percussion. If you know what some or most of that sentence means, definitely check this out:
I also made a shorter version, since this video was created for a contest, and (naturally) AFTER I made the above one, I figured out there was a 5 minute time restriction. The short version is here.
It’s been a while since I did a model train post. One thing I’ve been working on lately is a set of blank 45 foot trailers which I’ve been decaling for the Milwaukee Road’s trailer service. They have a number of neat paint schemes which had caught my eye, namely the “Preferred 45″, “Preferred 102″, and “Preferred Pool” trailers. One of each is on display here:
The decals are by Micro Scale and although they have been out of production for probably 10 years, you can still find them floating around (pun intended?). Old decals can be tough to work with, since they like to fall apart on you, but with some patience I think I nailed it. The trailers are also out of production models, from the Promotex line by a Canadian company called Herpa. I went with these simply because I liked the amount of detail on them. The reflective stripes on the sides are probably an anachronism, but eh, whatever, I think it looks neat so let’s run with it.
It was actually really tough to find reference photos taken of the prototype (aka the real thing for the non-modelers out there). Below are two which were shared with me from the slide collection of Mr Nathan Dahms. Thank you for these helpful images Nathan! And thank you for permission to post them here so that others in search of reference images will have something to use :
I got this first image after decaling mine. Although I followed the decal sheet instructions (which are consistent with the image below), this trailer is a bit different. I think for the next ones I do, I will mimic this photo instead…
And lastly, in the process of searching for images, I rediscovered this dude who goes by the handle Mellow Mike. I had seen his stuff on weathering forums years and years ago, then lost track of what he was up to when those forums closed. This guy is seriously god-like with an airbrush (and whatever other secret alchemy sauces he uses). If this kind of thing interests you, his website will totally blow your mind. Anyway I randomly found a trailer he had done via google image search. It’s a Milwaukee Road Preferred 45 trailer which was sold and painted over, although the original scheme remains faintly visible, a state referred to as ‘ghosted’. He said he based this off a photo. So my little decaling project is neat and all, but check out the real master at work:
So previously I chronicled the construction of a set of hefty bookshelf speakers I built for my brother. They’ve got a new buddy: a 12″, 500 watt subwoofer, in matching green paint! I haven’t written about the process of building this guy near as much because the cabinetry was essentially the same process: cut up MDF, router in the driver openings, glue’n’screw together, router off hard edges, silicone seal all joining surfaces on the inside, primer paint the outside, 4 coats of green paint, and then coat the whole shebang in Enviro Tex for a piano finish.
This time around I used a thicker, globbier primer called “gripper” in the hopes that it would more aggressively adhere to the MDF. When I put it on, it seemed like oh yeah, this stuff is gonna bond. But sure enough: I set the wet surface down on a few triangular wood blocks to dry, then each of them lifted off a small bit of the paint when dried. Seems like nothing can actually adhere itself to MDF, it just covers it. That’s going to be okay though, since the Enviro Tex finish is very thick and will seal any loose imperfections underneath.
This is only my second attempt at building a sub. The first one I built for a roommate in college. It used two Peerless XLS extra long excursion drivers, one active and one passive. Using a passive radiator extends the frequency response and lets you get some serious low frequency. The downside is that since the passive driver is, by definition, uncontrolled by a magnet, it’s free to vibrate however it wants. That will muddy up the sound. That sub was definitely LOUD as hell, and low too. We would bump that thing in the dorms and I’ll be damned if you couldn’t hear it on the other side of the building, 3 floors away. And we’re talking about a cinder-block building too!! So that thing was an outrageous amount of firepower for it’s size, which I would credit to the low frequency extension of the passive radiator. But it could never be described as tight, quick, responsive, or accurate.
As my second attempt, I picked out a driver that could be used in a sealed box, to go for power and accuracy in the audible range. The lowest of the lows are really cool, for sure, but subs with very low frequency output are almost impractical in a sense: that low, low range is going to penetrate ANYTHING, as the cinder block dorm proved in college. You’re going to be irritating anyone within a thousand foot radius when you rock out, no if’s about it. This time around I wanted power in the range of human hearing. Yeah, that’s still going to punch through plenty of walls, but not on the level that <30Hz will.
I went for a 12″ as a compromise between tightness/control and low frequency extension in a sealed box. The lowest audible frequency, referred to as “f3″, should be somewhere in the high 30s. The driver is a Dayton Reference Series 12″ model “RSS315HO-44″ with 4ohm impedance. It’s a dual voice coil driver, although I’ll only be powering one. The T/S parameters of this thing call for a one cubic foot sealed box for its optimum response, which is fairly small for a sub. This would be a superb driver for a car sub, where more amps would be geared toward handling that brutal 2ohm impedance you’d get by wiring the dual voice coils in parallel.
Supplying the power, we’ve got a 500 watt amp made by Yung International, with a +6dB boost at 25Hz. I went for the 6dB boosted model as opposed to the normal model, with aim of pushing the f3 out a little lower than the driver would normally achieve. Why not use that EQ to my advantage!
First impressions? Punchy-est 12″ in recent memory! It’s bass drum hits are concise. Basslines are even, with no ‘bloated’ notes that pop out louder than the rest. And the lowest audible pitch notes are there. The tune “To Feel Good” in the music section is a great test of super low bass, since we used a sine wave bassline at -1 octave to the main bassline synth you hear. That makes for some low, deep notes!
Really digging this puppy so far. Gonna be a hell of a sound system for this fall….
The Plastic Fan Appreciation Society Strikes Back! – aka “In Which I Almost Win The 2012 Nobel Prize In Rhyming But Get Disqualified For Taiwanese Mispronunciation”
So feast yo eyes on this, fellow fan enthusiasts: The Kuo Horng 12″ oscillating desk fan, in the most arresting color scheme of green & grey:
Them Hardcore Metal Fan Loverz are gonna hate, but I think this fan is totally radish. Ahh. It’s like a metaphorical cool breeze for my eyes and then like an actual real-life cool breeze for my airhairs. Because actual real-life cool breezes sometimes don’t feel so good on your eyeballs so that’s why I had to clarify by saying it that way.
I’m going to call her GG for green & grey, since I don’t actually know how to pronounce “Horng”. (woah, holy shit you guys, I think I might have just discovered a word that rhymes with “Orange”!! …Wait, no, that can’t be how you say it, false alarm.) I think this might be my new favorite fan, at least stylistically. Functionally, my Dayton 12″ at the office is the MVP. That guy has some serious responsibilties, keeping me cool throughout the 9-5 workday, particularly when there is a garage door nearby which is frequently left open to the searing Texas summer heat. It’s also astonishingly quiet too, which is great for a fan that you have to sit and listen to all day long. A loud fan can make you feel like you’re getting yelled at, my girlfriend tells me. Something the Dayton made me realize though, is that 12″ is really the ideal size for a desk fan.
I’ve got a XL-sized 16″ Galaxy which works the night-shift in the bedroom, keeping me and my lady cool as we snooze. And man, that thing’s got some oomph–no joke! I think I can count the times over the last year that I’ve had it on medium speed on one hand. (And no, I will not be providing an explanation for why such excessive fan power was required on those occasions. Use your imagination. Or scratch that, maybe don’t.) A 16″ fan is really only necessary for someplace where you need airflow that would compete with a strong box fan, like in a garage or a workshop. Or maybe the Galaxy is just that much of a badass? In any event, I think I’ve solved the cosmic riddle, that 12″ is just the right balance between noise, size, and power.
Through my previous post(s) about the dangers and/or the awesomeness of fan collecting, I was made aware of the svelte stylings of the Taiwan-based plastic fan manufacturer Kuo Horng. Their simple retro designs with hip’n’with-it looking speed controls caught my eye. Those monochrome lines in various colors have a retro-fetishizing sheen to them that appeals to me somehow. It’s like something from the 70s that never went out of style.
And of course it goes without saying that any fan that uses piano keys for speed control is automatically super sweet. Or as the kids like to say, über diggity-dank. Every time I press them, either in the office or at home, I just enjoy the simple act of setting the motor to a different speed. The click of the mechanism as it responds to your finger, the snap of the adjacent key popping back up again, all subtly reminiscent of an old-school tape recorder from your childhood–it’s an intrinsically satisfying thing. Sometimes I reach back and change the speed of the fan just for the sake of pressing the keys. (Really!) Maybe it’s some odd type of nostalgia or the plain enjoyment of something mechanical in these days of capacitive touchscreens and digital everything.
So GG is sort of taking over main fan duty in the computer/model train room. There’s a ceiling fan in there, which is pretty effective, but it’s also somewhat noisy, so I find myself opting for the oscillating fan instead, especially when I’m playing records. That, and I also find the oscillation refreshing, the way it hits you with a breeze which goes away for a moment and then returns, over and over. GG does make some quiet grinding and whirring when you first fire her up, but after maybe 5-10 minutes she gets into the groove and purrs along pretty much silently. I also have some downward angle going right now, which is probably partially accountable for the rougher startup. In my experience it seems like oscillating fans tend to prefer moving on a level axis, rather than aiming up or down where they start making more odd noises.
In any event, this fan is a welcome addition to my arsenal (see how I avoided calling it a collection there?) and totally an enabler in my dedication to living the ‘cool’ lifestyle here in hot Texas. It’s not a household appliance people, it’s a way of life. (Troof.) I will admit that I do sort of wish the blade itself was a nice translucent green, the same way my Dayton and Galaxy have transparent blue blades. A nice “kelly” green too, not a lime or a forest green. So maybe my quest for the ruthlessly, absolutely perfect oscillating desk fan isn’t fully complete yet, but I will say the main chassis on GG is, for my twenty-eight buckaroos including shipping (take that you metal fiends) about as cool as it gets. I think if I were able to find a green blader and swap them out, we might have such a dense singularity of plastic fan stylishness that it might have, in the words of the G-Man, ‘unforseen consequnces’….
And on the fans taaaaag, JB OUT!
Okay, so ultra-huge “The Moment of Genesis” tag here: model railroad construction has begun! Last week I started building benchwork, and this last weekend I went out and got plywood, cut it up, put it together, and just last night, finished a bare-bones loop. That one sentence right there is a TON of work. Although it’s not much to brag about at this point, have a look at the progress thus far:
For benchwork, I used plain old pine 2x4s and bought a gigantic box of 3″ tan-colored screws that will blend in with the wood. Seems like it worked out great so far. With the track plan I have in mind, the layer that’s been put down right now will eventually be almost entirely unseen, serving as a reversing loop on one end and hidden staging yards on the other. I established the height of the layout based upon where I visually estimated the height of the next layer to be. My thinking was to make the 2nd level (which is the visible level where all the action will happen) eye level when sitting in a chair. Already I’m wondering if I didn’t set the first level too low. It’s 30″ above the floor, which is exactly eye level if you’re sitting (straight-upright) on the floor. Raising the height of the whole layout might happen in the future, however I need to build the second layer before I’ll know if that’s a good idea or not. To be continued, many months from now…
For my main construction material, I decided to use plywood instead of MDF (medium density fiberboard). MDF doesn’t warp, is quite sturdy, and absorbs sound better; however it’s also heavy… and when you cut MDF it generates a literal cloud of superfine sawdust. Sawdust that contains formaldahyde, a carcinogen, which will settle everywhere, over everything. I know this because I made the mistake of cutting MDF indoors when I was in high school, and afterwards I was finding dust from it for years. MDF definitely has major advantage in terms of planarity and acoustics, but I knew that I would need to make many cuts to the railroad boards in situ, and that superfine sawdust was a major no-no for a room that can’t be sealed off from the rest of the house. That, and MDF will totally eat sawblades like candy, and I plan to use my jigsaw to cut curves and special shapes. Plywood, despite the downside of warpage, will have to work. At least at $16 per 4’x8′ sheet, plywood is also cheap!
I’ve been asking myself the question, “how am I going to build this layout so that it can disassemble in the future?” The solution I came up with was to use plywood sheets as a base that will attach to the benchwork. Any risers, subroadbed, and extra layers above will attach to the plywood sheets, rather than attaching directly to the benchwork. Any screws which attach the benchwork to the plywood base will come in through the bottom, so that by unscrewing those, I can lift off the layout in sections for removal. I won’t learn if this was a smart idea or not until I start building extra layers. Hopefully the answer will be yes. I suppose that all hinges on how securely I attach everything to the plywood base.
On Saturday I pushed hard for most of the day and completed essentially all of the round one woodworking. I was really hoping to throw on some track and get a train running before bedtime, but then I went to search for my track spikes and they were… absolutely nowhere to be found. I tore open every box and looked twice. Nothing! No spikes, only exasperation! So Sunday I visited a local hobby shop and picked up what I needed. When we got home and I started working on the track I was reminded of a few rules of model railroad construction that I had completely forgotten about:
1. for every track spike that goes in nice and easy, there are 5 that instantly get bent up in 7 directions and are totally useless. Somehow you delude yourself into thinking “hey, I can still save this, I can make it work!”
2. old flex track loves to destroy itself if you try to force it into a curve while partially nailed down or constrained; the plastic ties snap off and you’re left with a broken section that has to be cut away
3. anytime you cut a piece of rail, it will fly across the entire house, ricocheting off every wall and landing who knows where
4. soldering a stretch of flex track together while straight, and then attempting to bend it into a curve later is a bad idea (see #2)
5. brand new rail joiners are, like, impossible to get on. Anticipate raw thumbs.
Alright, so now that I’ve remembered those rules, maybe life will be easier going forward. I got my loop built and broke out my awesome new MTH Bipolars for a victory lap! It was at this point that, as the title of the post says, it occured to me that there is no single moment of triumph, because a well-running railroad doesn’t just magically happen. It’s a process to get there. I could get the Bipolar to run around a couple times without derailing, but the trackwork, even with its very wide curves, had minor imperfections–and minor imperfections in 1:57 scale are actually not just minor imperfections. Track is FUSSY. For Serious.
I got out the Hiawatha and attempted to run that, and got another rude awakening: A single bipolar can pull only about 7-8 cars around a 24″ radius curve. And this is on level ground, nevermind all the hills I’m about to introduce. Super Dome derailments started happening where nothing else came off. Okay, time to add a rerailer–I don’t know how I thought I could get away without one of those in the first place! Fixed the one problem spot… found a new problem spot. Then I started getting uncouplings due to track passing over two adjoining sections of plywood which weren’t exactly matched in height. Ahhhh, it’s all coming back to me now, the trials and tribulations of fine-tuning and troubleshooting the tracks!
The track problems are not such a big deal. Every layout will need to overcome those. And of major responsibilty for this is the fact that I was rushing to get it built, rather than taking my time and being mindful to create smooth, perfect joinings between sections. I should know better than that. So those problems can all be replaced, reworked, and overcome. But I’m a bit more concerned about the Bipolar’s inability to pull much on level track. If I double-head them, that’ll increase the power but I’m not sure by how much. There are a few other options such as adding lead weights to increase locomotive traction, and a product called Bullfrog Snot (seriously), which adds grip to the wheels. But if it turns out that even two Bipolars can’t haul a 9-10 car train up the grades & curves I’m planning, well, that’s a real bummer. Time will tell.
Also somewhat of another setback, the E1 with the cool paint scheme seems to have some kind of issue. It runs sort of jerky. Going to have to look into that. I’m sure it can be fixed, but just another thing to take care of before I can relax and enjoy the empire as I have dreamed it… Well, this is step #0001 I suppose. There’s a whole lot more to do!!
So as some of you may have noticed, there’s a new banner which randomly appears on the desktop version of this site with a mario theme. I built it using the level editor in Super Mario X, and oh man, it’s actually really hard. Have a look at the below video of me dying once, then trying again and beating it. What you don’t see are the 10 takes before this one where I screwed up and died repeatedly. SHEESH!
Every once and a while some older post will suddenly get a lot of clicks for no apparent reason. Once and I while I can trace this to search terms or referrers, which I find interesting just for the sake of learning how and/or why people walk through the door around here. Today I noticed that the top viewed post for the last 7 days is this one, talking about obsessive-compulsive fan collecting from last spring. I checked out the referrers list and found out that someone on a fan-collecting forum had linked to the post and brought a lot of their friends through the door. To that I say:
Welcome, esteemed connoisseurs of fine blades and stylized means of airflow generation!
I am down with the fan collectors.
What’s definitely making me laugh though, is the fact that the guy who posted the link is mocking me, saying essentially that I’m an idiot for thinking that plastic fans are cool, and that metal fans are where it’s at. Oh the embarrassment! I had no idea that real fan collectors have to make the jump up to metal! This whole time I’ve been nothing but a poser! Gasp!! I guess you ain’t hardcore unless you rock the METAL.
\nn/ \nn/ WEEEEWWWW!!!!! (that’s me doing air guitar)
Okay, any of you metal fan fiends, I wanna see some example pictures in the comments, because I’m just not convinced that it’s all about the metal. What if you dig like 60’s or 70’s design, are there sweet metal fans like that? You come to my website for ‘ignorance at its finest’ and the cup overfloweth.
Actually, I think it’s pretty awesome that someone is getting bent out of shape over what I thought looked cool. I mean, that’s part of the nature of design–what looks hip to one person will inevitably seem passé to another. I’m imagning this guy in his secret lair of glimmering display cases filled with ALL METAL fans, at the moment that his google searching brought him to my blog and erupting in a righteous fury of indignance “Oh my god dude, oh my god. You totally have no clue what you’re talking about here, oh my god. Good fans are METAL fans?! Hello? Everyone knows that, I mean, oh my god, everyone knows that!! Duh duh duh duh duhduhhh! Oh my god, clear my afternoon I need to rant about this right. now.”
Oh my god.
I guess this solidifies my cred as a wannabe, armchair fan collector, never to join the ranks of the hip’n’with-it Collectors with a capital C. I think I can live with that. Speaking of air guitar, I recently watched a very over-the-top documentary about the World Air Guitar Championships (yes, this is really a thing) which sort of reinforced the idea that with esoteric, niche hobbies there’s a fine line between kickass and laughably ridiculous. I’m content to sit on the sidelines and watch other people walk that tightrope.
I’m also content to continue basking in my ignorance (okay that deserves it’s own tag on the blog from now on) when it comes to plastic versus metal. There was a salient comment on the original post when it comes to ‘hoarders with more money than brains’ in the hobby of fan collecting… oh man that comment applies SO DAMN HARD when it comes to model trains as well. Probably applies to telescopes and amateur astronomy too. Sweaty-keyboard-elitists aside (every hobby’s got em!) the model railroaders I have met, and the amateur astronomers I have met, have been by and large a swell group of people whom I greatly enjoyed chatting with. I’m sure fan collectors are swell people too.
Do they have like meet ups for this kind of thing? Or conventions? Is this the first step on my way to an eventual 12-step recovery program for metal fan addiction? Tune in next time to find out! This is JB on the fans tag, signing out for now.
This post is going to be a wild mashup of things, all of which I’m pretty excited over.
The fangled contraption below is something film geeks will recognize as a “slider.” Not a slider in the White Castle sense, but a smooth rail that moves a video camera from one point to another.
As it is shown above, the slider is equipped for video use. I’ve built a set of legs attached to ball-head tripod mounts which allow it to be positioned in a wide variety of configurations. There is also a shoulder mount, and an extra grip for one-handed wrangling. This is essentially a customized version of the DIY slider described at ZaZaSlider.com, meant to be an improved version of the Glidetrack Shooter slider. Any filmmakers who feel inspired by these shots, you can create the same thing yourself by reading up at the ZaZa website and ponying up maybe $250-350.
For anyone who’s curious, I’d comment that this thing is somewhat impractical for shoulder-mounted use. Yes, it works; the hand grips are comfy and the shoulder padding keeps it from getting fatiguing. Yet… it’s just heavy and big. Even made of lightweight aluminum, a one meter slider is a lot of bulk to double as a shoulder rig, and on the flip side of that coin, anything smaller than a meter is getting into the territory where it’s not enough length to get a decent looking slide. So can you have it both ways, a slider AND a shoulder rig? Eh, sort of.
Shoulder rig ho-humming aside, the slider does work great. The following video shows it in action at Bear Creek, which was the first time I put it to considerable use. The video also shows a good amount of Steadicam footage, shot on a Steadicam Merlin which I rented for the fest. It was a terrific amount of (photo-dweeb) fun to use these both!
These shots are a compilation of cool videography from the festival grounds and miscellaneous shots that wouldn’t logically fit into any of the New Mastersounds or Lettuce videos I posted before. I still have more stuff to sort through… I haven’t even posted the Soulive yet!
I learned quite a bit in doing these videos. Number one lesson was slide SLOW. It’s best to push the slider from its base, and keep hands off the camera itself. Wind can also jostle the camera around. A tougher ball head on the carriage itself may address that issue. Right now I have a pistol-grip Sunpack head on it, which certainly isn’t the paragon of build quality. As for the Steadicam, I was surprised to find that the Merlin was not nearly as well constructed as I expected it ought to be. For $800, I assumed it would be a piece of finely-crafted, impeccably-machined precision. It was not. Given, I was using a rental unit, which probably had been subjected to rough ‘n’ tumble treatment, but still, the joints had wiggle, the bottom counterweight could be bumped or moved in and out, easily throwing off the balance, and worst of all, the quick release plate only loosely held onto the steadicam itself. In the wrong situation, I could see a camera getting dropped by that quick release. Yikes.
I also learned that 30fps is NOT fast enough for quick pans or fast steadicam moves. I defintitely regret not shooting in 720p/60fps, as some shots were blurry messes at 1080p/30fps. I believe it is due not to the framerate itself, but more to the fact that each frame of your movie is actually an exposure of 1/30th of a second when you have low/medium light and video autoexposure is enabled (you could shoot manual but that’s a lot of monitoring and adjusting, when you could be thinking about framing instead). 1/30th of a second is not really fast enough to prevent camera blur, even at wide angle. If you had very bright light, you could might get away with 30fps modes as the autoexposure would be forced into a faster shutter. This is something I need to remember, moving forward as a videographer.
It was super fun to use the Merlin, and it did pop out some mondo-sweet footage. When it works, it SINGS. But after seeing this thing up close and in action, I don’t think there’s any way I’d pay more than the price of my SLR for one. Maybe in 2012 there might be a DIY Steadicam build. But that’s looking far ahead. I digress. Back to the slider:
In addition to duty as a hand-powered video slider, I’m also planning something very ambitious for it. There’s a section on OpenMoCo.org (short for open source motion control systems) called “Project Chronos”. It adds a stepper motor’s super slow motion capability to the slider so that you can do timelapse while your camera moves, like they do in all those super sexy timelapse videos–only for a fraction of the price compared to commercial systems that do the same thing! When I saw this existed, I knew I HAD to build it. This is going to require a lot of soldering, troubleshooting, emailing, and above all, patience. I’ll do some periodic updates on the progress as I go along.
For the boldest and most tenacious of readers who may be interested in attempting their own Project Chronos, mastermind Chris Field has pictures, videos, circuit diagrams, Arduino code, and finished product samples all online for your consideration. I have also began a build thread of my progress over at Timescapes.org for anyone who wants to read the gory details. At the moment I have built two PCBs as pictured below. The blue one is actually a kit with very comprehensive assembly instructions online which made its construction relatively simple. The green PCB is the Chrono-specific circuitry and still a work in progress. More posts on this as it develops.
Also, soldering shit in my free time makes me feel like a badass. Maybe it’s the smoke, or maybe it’s the hardcore nature of building your own circuits. Busting out my resistor collection and putting it back to use felt really good. I said to my girl; oh yeah, these resistors aren’t just going to sit inside a box forever, these have got a cooler destiny… ultra-sweet timelapse!
Bring on 2012!
Ah, like the first snowflake of an avalanche-to-be, I have spent $25 on astronomy. This is surely the start of a costly and destructive addiction.
This week in the mail, a pair of el-cheapo Tasco 7×35 binoculars arrived. I had been watching the binos classified on astromart.com, waiting for an awesome pair to show up, hopefully made by some telescope maker. A couple weeks ago there were some 10×50 Celestrons and I got all excited, thinking, ooh, this is it! Then I searched for reviews on them and found out that everyone was bad mouthing these binoculars. So much for patience and diligence paying off! Buried in one of the threads on the cloudynights forums, I found someone who said that they have several pairs of pricey binos but that these Tasco 7x35s were just so comfortable and easy to use that they did all of their observing with them. The guy even went on to say that they had tried like thousand dollar binoculars (seriously, there is such a thing?!) and that these cheapo Tascos felt just as good. Okay, screw it, I’m just getting these then.
The other night I busted them out and checked out the full moon, which was pretty sweet. You can see plenty of detail on it, and I was pleasantly surprised to see how many stars reveal themselves, even from a light-polluted backyard. There’s a nice double star just above Vega that jumped out at me. Sweet…
Also, binos, like rhinos and dinos is my new favorite word.