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    A vista that knocked my socks clean off


    2012 - 09.23

    Took a visit to Wisconsin to visit family last week and took a bunch of pictures…. more forthcoming, but I thought this one deserved its own posting: A spectacular view of the Baraboo hills with Lake Wisconsin off in the distance. I’d never been to this spot before and wheeew. Literally stunned me.

     

    Armstrong’s gone & the full moon’s blue


    2012 - 09.03

    Still ruminating on the passing of Neil Armstrong.  As my tiny tribute to him, I decided to take a photo of the first full moon after his death, which also happens to be the last blue moon until 2015.  I added the blue coloration in post… the blues for one less moonwalker among us.

    The Plastic Fan Appreciation Society Strikes Back! – aka “In Which I Almost Win The 2012 Nobel Prize In Rhyming But Get Disqualified For Taiwanese Mispronunciation”


    2012 - 08.07

    So feast yo eyes on this, fellow fan enthusiasts: The Kuo Horng 12″ oscillating desk fan, in the most arresting color scheme of green & grey:

    Them Hardcore Metal Fan Loverz are gonna hate, but I think this fan is totally radish. Ahh. It’s like a metaphorical cool breeze for my eyes and then like an actual real-life cool breeze for my airhairs. Because actual real-life cool breezes sometimes don’t feel so good on your eyeballs so that’s why I had to clarify by saying it that way.

    I’m going to call her GG for green & grey, since I don’t actually know how to pronounce “Horng”. (woah, holy shit you guys, I think I might have just discovered a word that rhymes with “Orange”!! …Wait, no, that can’t be how you say it, false alarm.) I think this might be my new favorite fan, at least stylistically. Functionally, my Dayton 12″ at the office is the MVP. That guy has some serious responsibilties, keeping me cool throughout the 9-5 workday, particularly when there is a garage door nearby which is frequently left open to the searing Texas summer heat. It’s also astonishingly quiet too, which is great for a fan that you have to sit and listen to all day long. A loud fan can make you feel like you’re getting yelled at, my girlfriend tells me. Something the Dayton made me realize though, is that 12″ is really the ideal size for a desk fan.

    I’ve got a XL-sized 16″ Galaxy which works the night-shift in the bedroom, keeping me and my lady cool as we snooze. And man, that thing’s got some oomph–no joke! I think I can count the times over the last year that I’ve had it on medium speed on one hand. (And no, I will not be providing an explanation for why such excessive fan power was required on those occasions. Use your imagination. Or scratch that, maybe don’t.) A 16″ fan is really only necessary for someplace where you need airflow that would compete with a strong box fan, like in a garage or a workshop. Or maybe the Galaxy is just that much of a badass? In any event, I think I’ve solved the cosmic riddle, that 12″ is just the right balance between noise, size, and power.

    Through my previous post(s) about the dangers and/or the awesomeness of fan collecting, I was made aware of the svelte stylings of the Taiwan-based plastic fan manufacturer Kuo Horng. Their simple retro designs with hip’n’with-it looking speed controls caught my eye. Those monochrome lines in various colors have a retro-fetishizing sheen to them that appeals to me somehow. It’s like something from the 70s that never went out of style.

    And of course it goes without saying that any fan that uses piano keys for speed control is automatically super sweet. Or as the kids like to say, über diggity-dank. Every time I press them, either in the office or at home, I just enjoy the simple act of setting the motor to a different speed. The click of the mechanism as it responds to your finger, the snap of the adjacent key popping back up again, all subtly reminiscent of an old-school tape recorder from your childhood–it’s an intrinsically satisfying thing. Sometimes I reach back and change the speed of the fan just for the sake of pressing the keys. (Really!) Maybe it’s some odd type of nostalgia or the plain enjoyment of something mechanical in these days of capacitive touchscreens and digital everything.

    So GG is sort of taking over main fan duty in the computer/model train room. There’s a ceiling fan in there, which is pretty effective, but it’s also somewhat noisy, so I find myself opting for the oscillating fan instead, especially when I’m playing records. That, and I also find the oscillation refreshing, the way it hits you with a breeze which goes away for a moment and then returns, over and over. GG does make some quiet grinding and whirring when you first fire her up, but after maybe 5-10 minutes she gets into the groove and purrs along pretty much silently. I also have some downward angle going right now, which is probably partially accountable for the rougher startup. In my experience it seems like oscillating fans tend to prefer moving on a level axis, rather than aiming up or down where they start making more odd noises.

    In any event, this fan is a welcome addition to my arsenal (see how I avoided calling it a collection there?) and totally an enabler in my dedication to living the ‘cool’ lifestyle here in hot Texas. It’s not a household appliance people, it’s a way of life. (Troof.) I will admit that I do sort of wish the blade itself was a nice translucent green, the same way my Dayton and Galaxy have transparent blue blades. A nice “kelly” green too, not a lime or a forest green. So maybe my quest for the ruthlessly, absolutely perfect oscillating desk fan isn’t fully complete yet, but I will say the main chassis on GG is, for my twenty-eight buckaroos including shipping (take that you metal fiends) about as cool as it gets. I think if I were able to find a green blader and swap them out, we might have such a dense singularity of plastic fan stylishness that it might have, in the words of the G-Man, ‘unforseen consequnces’….

    Count it!

    And on the fans taaaaag, JB OUT!

    Primo Vino Art: Rockus Bockus


    2012 - 07.09

    I totally love this frigging artwork. Bombz.

    Also, I blended 2 images together so you can see the whole label in one picture. This has the awesome side effect of looking like you’re seeing double, which you might be from this Rockus Bockus!

    Chicago Metra


    2012 - 05.18

    Took a real short trip to Chicago and brought the Casio along.  I always liked the red stripe nose and the chrome cars of the Metra.  The city skyline and the signals in the background are a nice bonus.  And the heat rising off the tracks.

    check out this 100% resolution crop:

    Primo Vino Art: Mollydooker-The Maître D’


    2012 - 04.17

    A very tasty bottle and some sweet art stylings.  I’ll drink to this.


    Local go-to: Pizza Zone


    2012 - 04.10

    There’s this place nearby that makes a divine pie.  They’re tucked into a strip mall, and really you would never even notice the place if you didn’t know to look for it.  I found them via yelp reviews, and they have totally been holding down the pizza crown since I’ve been in Houston.  Nothin’ fancy here, just really solid all-around pizza.  Shown here is my favorite combo, Italian sausage & pepperoni, with seasoned & stuffed crust.  Outrageously good.  Also, check out the nice thin depth of field on that Canon nifty fifty aka the fantastic plastic.

    Timelapse… IN SPACE


    2012 - 03.26

    I’m guessing a lot of the readership is already aware of this video, but I’m going to post it anyway because this timelapse is just THAT badass. It’s shot from outer space (on the ISS) and shows some unbelievably spectacular views of the heavens in motion and earth spinning below them.  To me, it really drives home the notion that we’re floating in space… a fact that we seldom take time to appreciate.  Ultra-cool:

     

    And, unlike a lot of awesome timelapse videos, the music is surprisingly tasteful! I can’t get enough of this one.

    μC Bicentennial


    2012 - 03.12

    Well here we are folks, blogpost # 200. It’s nice milestone to be hitting!

    Hmm, pressure’s on, better bust out something cool… how about a photo I took…… of the moon?? 

    Shot with Canon 100-300mm @ 300 and cropped (1:1 original resolution shown). 1/125th @ f/11 ISO 100. w/ a Canon T3i. Mirror lockup and ten second delay on the shutter. Phase based autofocus (through the viewfinder). Light enhancements in CS5.

    It occurred to me that I’d never taken my 100-300mm zoom outside on a clear night at tried snapping shots of the moon at the long end of the lens. What you see here is a 100% resolution crop. So this is the max resolving power of my erm, best refractor, at the moment, coupled with the T3i’s max 18MP setting. I’d say it came out pretty well.

    And speaking of new phases, I will be moving soon! Which means a whole lot less time on the computer and thereby a whole lot less time available for posting on here for a while. Fortunately I’m way, way, way behind on posting my Primo Vino Art, so there will be a bountiful explosion of images for you photography nuts and oenophiles. I intend to schedule these posts in advance, so while I am busy shuffling boxes around there will still be a steady stream of things to look at.

    Speaking of things to look at, some of you may have noticed that the header image at the top of this blog has been changing recently. I happened upon a really sweet little piece of code that allows you to setup a directory full of images, and then randomly display any one of them. Currently there are 4 different header images that appear at random. Over time, I intend to continue expanding this until there’s like 10-20 different ones. Eventually the background may become randomized as well. Variety! It’s the spice of life. And we all know spice expands consciousness.

    Feels good to hit 200! Cheers people!

    Megapixels have officially jumped the shark


    2012 - 03.01

    Okay, there’s a few interesting new bits of technology in the news that I’d like to riff on. The brand new Nokia 808 PureView, the Nikon D800, and the Canon C300. People love to focus on numbers, stats, specifications. Especially in the world of cameras, how things look ‘on paper’ is important. For many years, megapixels were kind of the end-all-be-all number that told you how good a camera was. Those days are over. In fact, they’ve been over for several years now but that won’t stop people from beating a dead horse.

    Observe:

    Nikon’s new flagship DSLR is the D800 and it’s got a whopping 36 megapixels (that makes a dastardly 7360×4912 image). This guy gets a free pass because okay, maybe some professionals are using it to shoot images which might be printed onto billboards or something. But this new Nokia 808 PureView phone (seriously, a PHONE!) has… are you ready for this? 41 megapixels. That’s just absurd. And yeah, in the end, that number is nothing more than a headline-grabber, marketing mumbo-jumbo garbage, as the final image max size which gets saved is… 8MP. Hah. But my point here is that dudes, we need a new number to focus on. Megapixels are the new gigahertz (as in computer CPUs)… they are a distraction from what’s actually relevant.

    The Canon C300 sprints boldly in the opposite direction. To be clear, the “C” stands for “Cinema” and this camera costs 16 large. However, its max still image megapixel count is a modest 8MP. And video maxes out with 1080p at 24fps (not counting interlaced modes, because f–k interlacing). However… It’s a light-eating monster. Canon should have some standardized number they could point to, which compares it to other cameras and shows how much drastically better the C300 is, in terms of real-world shooting.  Like a light sensitivity index or something.  Maybe the square micron area of the individual pixel size?

     As an aside, check out this video below, in which they compare footage from the C300 versus the Canon 550D, aka the Rebel T3i, which happens to be the camera I own!  For a camera that costs $500ish stacked up against something that costs 32 times that amount, I think the scrappy little Rebel holds up well!

    When it comes to lenses, aperture is an excellent number to compare lenses by. But try to explain what aperture actually means to someone who isn’t intimately familiar with photography: F-number, it’s the ratio of the pupil diameter of the lens (which is proportional but NOT equal to the aperture diameter) divided by the effective focal length, which is the distance from the optical center of your lens to the film plane. That distance changes as you zoom, and so does the physical size of the aperture even when set to the same f-number. The aperture diameter at 50mm f/8 is actually not the same at 100mm f/8. Oh, and it matters where the aperture is inside of your lens too. Confused yet? Good! But you can look through say, the Canon lens lineup, and instantly tell which lenses are better ones, simply by saying hey this f/2.8 lens is a lot nicer than that f/4.5 one. (I know for the heady-est of heads, that isn’t WHAT makes a lens great or sharp, but painting with a broad brush, the statement “bigger aperture=better lens” generally holds true, in the same sense that bigger magnets generally equal better loudspeakers. A giant magnet isn’t the end-all be-all of WHY a speaker is good, but hey, you don’t slap a mammoth, expensive magnet on an otherwise crap speaker.)

    What I’m saying is that we already have a standardized number, the f-stop, which rolls in a lot of really hard to discuss ideas into a nice, neat two-digit quantification. We should have something like that for light sensitivity.

    And also, it kinda seems like we’ve hit a wall with 1080p/30fps video. Why are more cameras not featuring 1080p/60fps? That sure would be nice. And for that matter, why do we not have modes like 720p/120fps? If resolutions aren’t increasing anymore (and they won’t for a long time to come because you can’t buy a consumer-grade LCD with high enough resolution to actually display anything much higher than that!), then why aren’t our framerates skyrocketing? Everyone loves slo-mo, right? I have a prediction to make: we’re going to see high-speed video modes on a friggin phone before any (consumer) interchangable lens camera gets it. It’s so backwards, but that seems to be how the industry works.